Magie und Rhythmus (Magic and Rhythm)

~ Release by Carl Orff (see all versions of this release, 1 available)

Tracklist

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1▼CD: Carmina Burana
#TitleRatingLength
1Carmina Burana: Fortuna imperatrix mundi: O Fortuna
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
32:38
2Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
32:42
3Carmina Burana: I. Primo vere: Veris leta facies
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
2:58
4Carmina Burana: I. Primo vere: Omnia Sol temperat
baritone vocals:
Hans Braun (baritone) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
1:54
5Carmina Burana: I. Primo vere: Ecce gratum
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
2:49
6Carmina Burana: Uf dem anger: Tanz
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
1:40
7Carmina Burana: Uf dem anger: Floret silva nobilis
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
23:09
8Carmina Burana: Uf dem anger: Chramer, gip die varwe mir
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
2:55
9Carmina Burana: Uf dem anger: Reie
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: IX. (a) Reie (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
1:41
10Carmina Burana: Uf dem anger: Swaz hie gat umbe
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe (Carmina Burana: Uf dem Anger: 9. (b) Swaz hie gat umbe) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
0:29
11Carmina Burana: Uf dem anger: Chume, chum, geselle min – Swaz hie gat umbe
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
1:45
12Carmina Burana: Uf dem anger: Were diu werlt alle min
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
0:57
13Carmina Burana: II. In taberna: Estuans interius
baritone vocals:
Hans Braun (baritone) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
22:21
14Carmina Burana: II. In taberna: Olim lacus colueram
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
tenor vocals:
Paul Kuën (tenor) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
3:18
15Carmina Burana: II. In taberna: Ego sum abbas
baritone vocals:
Hans Braun (baritone) (in 1952-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
1:20
16Carmina Burana: II. In taberna: In taberna quando sumus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
2:59
17Carmina Burana: III. Cour d’amours: Amor volat undique
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
soprano vocals:
Elfride Trötschel (soprano) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
2:55
18Carmina Burana: III. Cour d’amours: Dies, nox et omnia mihi sunt contraria
baritone vocals:
Hans Braun (baritone) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
2:12
19Carmina Burana: III. Cour d’amours: Stetit puella
soprano vocals:
Elfride Trötschel (soprano) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
1:50
20Carmina Burana: III. Cour d’amours: Circa mea pectora multa sunt suspiria
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
2:12
21Carmina Burana: III. Cour d’amours: Si puer cum Puellula
baritone vocals:
Hans Braun (baritone) (in 1952-10) and Carl Hoppe (bass-baritone) (in 1952-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
tenor vocals:
Paul Kuën (tenor) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
0:56
22Carmina Burana: III. Cour d’amours: Veni, veni, venias
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
0:58
23Carmina Burana: III. Cour d’amours: In trutina mentis dubia
soprano vocals:
Elfride Trötschel (soprano) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
1:59
24Carmina Burana: III. Cour d’amours: Tempus est iocundum
baritone vocals:
Hans Braun (baritone) (in 1952-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
soprano vocals:
Elfride Trötschel (soprano) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
2:08
25Carmina Burana: III. Cour d’amours: Dulcissime
soprano vocals:
Elfride Trötschel (soprano) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
0:43
26Carmina Burana: Blanziflor et Helena: Ave formosissima
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
1:30
27Carmina Burana: Fortuna imperatrix mundi: O Fortuna
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1952-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1952-10)
conductor:
Eugen Jochum (conductor) (in 1952-10)
chorus master:
Josef Kugler (in 1952-10)
recorded at:
Theatersaal (Amerikahaus) in München (Munich), Bayern (Bavaria), Germany (in 1952-10)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1952-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
2:40
2▼CD: Catulli Carmina
#TitleRatingLength
1Catulli Carmina: Chor, Chorus- Eis aiona! (Ewig, ewig!, For ever!)
piano:
Walter Faith (in 1955-11), Julius Karr-Bartoli (in 1955-11), Kurt Prestel (conductor, chorus master) (in 1955-11) and Hans Weissenbach (in 1955-11)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-11)
soprano vocals:
Annelies Kupper (soprano) (in 1955-11)
tenor vocals:
Richard Holm (tenor) (in 1955-11)
conductor:
Eugen Jochum (conductor) (in 1955-11)
chorus master:
Josef Kugler (in 1955-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-11)
recording of:
Catulli Carmina - Chorus: Eis aiona! (in 1955-11)
composer:
Carl Orff (composer)
part of:
Catulli Carmina
part of:
Catulli Carmina
12:55
2Catulli Carmina: Actus I (Ich hasse und ich liebe , I hate and I love)
piano:
Walter Faith (in 1955-11), Julius Karr-Bartoli (in 1955-11), Kurt Prestel (conductor, chorus master) (in 1955-11) and Hans Weissenbach (in 1955-11)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-11)
soprano vocals:
Annelies Kupper (soprano) (in 1955-11)
tenor vocals:
Richard Holm (tenor) (in 1955-11)
conductor:
Eugen Jochum (conductor) (in 1955-11)
chorus master:
Josef Kugler (in 1955-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-11)
recording of:
Catulli Carmina: Actus I (in 1955-11)
composer:
Carl Orff (composer)
part of:
Catulli Carmina
28:01
3Catulli Carmina: Actus II (Jucundum, mea vita, mihi proponis amorem)
piano:
Walter Faith (in 1955-11), Julius Karr-Bartoli (in 1955-11), Kurt Prestel (conductor, chorus master) (in 1955-11) and Hans Weissenbach (in 1955-11)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-11)
soprano vocals:
Annelies Kupper (soprano) (in 1955-11)
tenor vocals:
Richard Holm (tenor) (in 1955-11)
conductor:
Eugen Jochum (conductor) (in 1955-11)
chorus master:
Josef Kugler (in 1955-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-11)
recording of:
Catulli Carmina: Actus II (in 1955-11)
composer:
Carl Orff (composer)
part of:
Catulli Carmina
6:39
4Catulli Carmina: Actus III - Odi et amo (Ich hasse und ich liebe , I hate and I love)
piano:
Walter Faith (in 1955-11), Julius Karr-Bartoli (in 1955-11), Kurt Prestel (conductor, chorus master) (in 1955-11) and Hans Weissenbach (in 1955-11)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-11)
soprano vocals:
Annelies Kupper (soprano) (in 1955-11)
tenor vocals:
Richard Holm (tenor) (in 1955-11)
conductor:
Eugen Jochum (conductor) (in 1955-11)
chorus master:
Josef Kugler (in 1955-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-11)
recording of:
Catulli Carmina: Actus III (in 1955-11)
composer:
Carl Orff (composer)
part of:
Catulli Carmina
7:30
5Catulli Carmina: Exodium Chor - Eis aiona! (Ewig, ewig! , For ever!)
piano:
Walter Faith (in 1955-11), Julius Karr-Bartoli (in 1955-11), Kurt Prestel (conductor, chorus master) (in 1955-11) and Hans Weissenbach (in 1955-11)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-11)
soprano vocals:
Annelies Kupper (soprano) (in 1955-11)
tenor vocals:
Richard Holm (tenor) (in 1955-11)
conductor:
Eugen Jochum (conductor) (in 1955-11)
chorus master:
Josef Kugler (in 1955-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-11)
recording of:
Catulli Carmina - Exodium (in 1955-11)
composer:
Carl Orff (composer)
part of:
Catulli Carmina
1:04
3▼CD: Trionfo di Afrodite
#TitleRatingLength
1Trionfo di Afrodite: Canto amebo di vergini e giovani a Vespero in attesa della sposa
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10) and Elisabeth Lindermeier (soprano) (in 1955-10)
tenor vocals:
Ratko Delorko (Yugoslavian tenor, 1919–) (in 1955-10) and Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 1. Canto amebeo di vergini e giovani a Vespero in attesa della sposa e dello sposo (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
6:52
2Trionfo di Afrodite: Corteo nuziale ed arrivo della sposa e dello sposo
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10) and Elisabeth Lindermeier (soprano) (in 1955-10)
tenor vocals:
Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 2. Corteo nuziale ed arrivo della sposa e dello sposo (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
2:16
3Trionfo di Afrodite: Sposa e sposo
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10) and Elisabeth Lindermeier (soprano) (in 1955-10)
tenor vocals:
Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 3. Sposa e sposo (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
9:15
4Trionfo di Afrodite: Invocazione dell’Imeneo
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10) and Elisabeth Lindermeier (soprano) (in 1955-10)
tenor vocals:
Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 4. Invocazione dell’ Imeneo (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
6:18
5Trionfo di Afrodite: Ludi e canti nuziali davanti al talamo
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10), Elisabeth Lindermeier (soprano) (in 1955-10) and Elisabeth Wiese-Langer (in 1955-10)
tenor vocals:
Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 5. Ludi e canti nuziale davanti al talamo (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
12:05
6Trionfo di Afrodite: Canto di novelli sposi dal talamo
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10) and Elisabeth Lindermeier (soprano) (in 1955-10)
tenor vocals:
Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 6. Canto di novelli sposi dal talamo (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
1:45
7Trionfo di Afrodite: Apparizione di Afrodite
bass vocals:
Kurt Böhme (operatic bass) (in 1955-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1955-10)
soprano vocals:
Annelies Kupper (soprano) (in 1955-10), Elisabeth Lindermeier (soprano) (in 1955-10) and Elisabeth Wiese-Langer (in 1955-10)
tenor vocals:
Ratko Delorko (Yugoslavian tenor, 1919–) (in 1955-10) and Richard Holm (tenor) (in 1955-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1955-10)
conductor:
Eugen Jochum (conductor) (in 1955-10)
chorus master:
Josef Kugler (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Trionfo di Afrodite: 7. Apparizione di Afrodite (in 1955-10)
composer:
Carl Orff (composer)
part of:
Trionfo di Afrodite
1:59
4▼CD: Die Kluge
#TitleRatingLength
1Die Kluge: Scene 1. Oh hätt’ ich meiner Tochter nur geglaubt!
bass vocals [Der Bauer]:
Gottlob Frick (operatic bass) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 1. Szene. "Oh hätt' ich meiner Tochter nur geglaubt!" (Bauer) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
4:59
2Die Kluge: Scene 1. Was schreit der Mann? Ich will es wissen!
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
bass vocals [Der Bauer]:
Gottlob Frick (operatic bass) (in 1956)
bass vocals [Der Kerkermeister]:
Georg Wieter (german operatic bass) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 1. Szene. "Was schreit der Mann? Ich will es wissen!" (König, Kerkermeister, Bauer) (in 1956)
part of:
Die Kluge
2:40
3Die Kluge: Scene 2. Spaß muß sein, sagte die Katze zum Vogel und fraß ihn
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 2. Szene. "Spaß muß sein, sagte die Katze zum Vogel und fraß ihn" (Erster, Zweiter und Dritter Strolch) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
1:26
4Die Kluge: Scene 3. Du also, du bist die „Kluge“
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 3. Szene. "Du also, du bist die Kluge" (König) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
5:33
5Die Kluge: Scene 3. Nenn mir die Rätsel, König
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
soprano vocals [Die kluge Frau]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 3. Szene. "Nenn mir die Rätsel, König" (Kluge, König) (in 1956)
part of:
Die Kluge
9:37
6Die Kluge: Scene 4. Der König hat nun wieder eine Frau
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Der Eselmann]:
Benno Kusche (baritone) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 4. Szene. "Der König hat nun wieder eine Frau" (Erster, Zweiter und Dritter Strolch, Mauleselmann, Eselmann) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
2:49
7Die Kluge: Scene 5. Alles ging die Kreuz und Quer
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Der Eselmann]:
Benno Kusche (baritone) (in 1956)
bass vocals [Der Kerkermeister]:
Georg Wieter (german operatic bass) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 5. Szene. "Alles ging die Kreuz und Quer" (Mauleselmann, Erster, Zweiter und Dritter Strolch, König, Kerkermeister) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
2:49
8Die Kluge: Scene 5. Einer soll reden, aber kurz und klar
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Der Kerkermeister]:
Georg Wieter (german operatic bass) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 5. Szene. "Einer soll reden, aber kurz und klar" (König, Eselmann, Mauleselmann, Erster, Zweiter und Dritter Strolch, Kerkermeister) (in 1956)
part of:
Die Kluge
9:02
9Die Kluge: Scene 6. Weh mir, wie konnt mir das geschehn?
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 6. Szene. "Weh mir, wie konnt mir das geschehn?" (Eselmann) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
5:02
10Die Kluge: Scene 6. Ein König kann sich auch mal irren
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
soprano vocals [Die kluge Frau]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 6. Szene. "Ein König kann sich auch mal irren" (Kluge, Eselmann) (in 1956)
part of:
Die Kluge
2:52
11Die Kluge: Scene 7. Heda!
bass vocals [Der Kerkermeister]:
Georg Wieter (german operatic bass) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 7. Szene. "Heda!" (Erster, Zweiter und Dritter Strolch, Kerkermeister) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
2:58
12Die Kluge: Scene 7. Als die Treue ward geborn
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 7. Szene. "Als die Treue ward geborn" (Erster, Zweiter und Dritter Strolch) (in 1956)
part of:
Die Kluge
5:18
13Die Kluge: Scene 8. Frag diesen Mann, was er da schafft
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Der Kerkermeister]:
Georg Wieter (german operatic bass) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 8. Szene. "Frag diesen Mann, was er da schafft" (König, Kerkermeister, Eselmann, Erster, Zweiter und Dritter Strolch) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
1:32
14Die Kluge: Scene 8. Die Rede stammet nit von dir...
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 8. Szene. "Die Rede stammet nit von dir..." (König, Eselmann, Erster, Zweiter und Dritter Strolch) (in 1956)
part of:
Die Kluge
0:55
15Die Kluge: Scene 9. So also, so war’s gemeint!
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 9. Szene. "So also, so war's gemeint!" (König) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
2:47
16Die Kluge: Scene 9. Laß mich die Tafel dir bereiten
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 9. Szene. "Laß mich die Tafel dir bereiten" (Kluge) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
4:51
17Die Kluge: Scene 9. Schuh-schuhu, es fallen dem König die Augen zu
soprano vocals [Die kluge Frau]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 9. Szene. "Schuh-schuhu, es fallen dem König die Augen zu" (Kluge) (in 1956)
part of:
Die Kluge
3:27
18Die Kluge: Scene 10. Hab ich euch endlich
baritone vocals [Zweiter Strolch]:
Hermann Prey (baritone) (in 1956)
bass vocals [Dritter Strolch]:
Gustav Neidlinger (German bass-baritone) (in 1956)
tenor vocals [Erster Strolch]:
Paul Kuën (tenor) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 10. Szene. "Hab ich euch endlich" (Erster, Zweiter und Dritter Strolch) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
1:37
19Die Kluge: Scene 11. Komm da heraus, der König läßt dich frei
baritone vocals [Der Mann mit dem Maulesel]:
Rudolf Christ (Austrian tenor) (in 1956)
bass vocals [Der Kerkermeister]:
Georg Wieter (german operatic bass) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 11. Szene. "Komm da heraus, der König läßt dich frei" (Kerkermeister, Eselmann) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
0:57
20Die Kluge: Scene 12. Vorspiel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 12. Szene. Vorspiel (in 1956)
part of:
Die Kluge
2:41
21Die Kluge: Scene 12. Was ist, wo bin ich
baritone vocals [Der König]:
Marcel Cordes (baritone) (in 1956)
bass vocals [Der Bauer]:
Gottlob Frick (operatic bass) (in 1956)
soprano vocals [Die kluge Frau]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956)
conductor:
Wolfgang Sawallisch (conductor) (in 1956)
recording of:
Die Kluge: 12. Szene. "Was ist, wo bin ich" (König, Kluge, Bauer) (in 1956)
composer:
Carl Orff (composer)
part of:
Die Kluge
2:34
5▼CD: Der Mond
#TitleRatingLength
1Der Mond: Vorzeiten gab es ein Land
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Vorzeiten gab es ein Land" (Erzähler) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
2:57
2Der Mond: Was ist das für ein Licht?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Was ist das für ein Licht?" (Vier Burschen, Bauer) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
3:59
3Der Mond: Tanz der Bauern in der Schenke
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: Tanz der Bauern in der Schenke (in 1957)
part of:
Der Mond
1:59
4Der Mond: Und wann ich hamwärts geh
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Und wann ich hamwärts geh" (Schultheiß, Bauernchor) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
1:30
5Der Mond: Der Mond ist fort
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Der Mond ist fort" (Chor, Kinderchor) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
2:05
6Der Mond: Wirt, Leute kommen!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Wirt, Leute kommen!" (Bauer, Wirt, Bauern und Weiber, Vier Burschen) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
1:21
7Der Mond: Wenn ihr nachts aus der Taberne
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Wenn ihr nachts aus der Taberne" (Vier Burschen, Chor, Wirt) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
3:15
8Der Mond: So hängt ihn auf
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "So hängt ihn auf" (Wirt) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
1:06
9Der Mond: Seht den Mond
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Seht den Mond" (Chor, Vier Burschen) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
0:42
10Der Mond: Und sie brachten den Geraubten
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Und sie brachten den Geraubten" (Erzähler) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
1:05
11Der Mond: Phantastische Nacht
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: Phantastische Nacht (in 1957)
part of:
Der Mond
3:55
12Der Mond: Die Vier versorgten den Mond mit Öl
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Die Vier versorgten den Mond mit Öl" (Erzähler) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
1:12
13Der Mond: Lieg’ ich hier an dieser Schwelle
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Lieg' ich hier an dieser Schwelle" (Erster Bursche, Chor, Wirt) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
3:28
14Der Mond: Alle, die wir ringsum stehn
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Alle, die wir ringsum stehn" (Chor) (in 1957)
part of:
Der Mond
1:48
15Der Mond: Und als der „Erste“ gestorben war
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Und als der 'Erste' gestorben war" (Erzähler) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
3:21
16Der Mond: Und als der Mond dort leuchtete
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Und als der Mond dort leuchtete" (Erzähler, Chor, Vier Burschen) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
5:06
17Der Mond: Du spielst, als lägst du noch im Grab
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Du spielst, als lägst du noch im Grab" (Kartenspieler, Würfler, Kegler, Säufer) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
2:04
18Der Mond: Floret silva undique
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Floret silva undique" (Chor, Mädel, Vier Burschen) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
2:55
19Der Mond: Was ist da los?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Was ist da los?" (Petrus, Chor, Vier Burschen) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
8:14
20Der Mond: Tanz der Toten
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: Tanz der Toten (in 1957)
part of:
Der Mond
0:50
21Der Mond: Der Wein ist gut
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Der Wein ist gut" (Petrus, Chor, Vier Burschen) (in 1957)
part of:
Der Mond
1:22
22Der Mond: Wie kalt ist’s draußen in der Welt
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Wie kalt ist's draußen in der Welt" (Petrus) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
0:53
23Der Mond: Magischer Zauber
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: Magischer Zauber (in 1957)
part of:
Der Mond
1:18
24Der Mond: Sitz ich da am hohen Himmel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Sitz ich da am hohen Himmel" (Petrus, Chor de Toten) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
9:09
25Der Mond: So brachte Petrus die Toten zur Ruh
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "So brachte Petrus die Toten zur Ruh" (Erzähler) (in 1957)
composer:
Carl Orff (composer)
part of:
Der Mond
1:49
26Der Mond: Ach, da hängt ja der Mond!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Wolfgang Sawallisch (conductor) (in 1957)
recording of:
Der Mond: "Ach, da hängt ja der Mond!" (Kleines Kind, Chor) (in 1957)
part of:
Der Mond
3:37
6▶CD: Antigonae
7▶CD: Antigonae
8▶CD: Oedipus der Tyrann
9▶CD: Oedipus der Tyrann
10▶CD

Credits

Release

ASIN:US: B006FZG8S2 [info]