Living Out Loud

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lush Life
recording engineer:
Jess Sutcliffe and Frank Wolf (engineer at Skyline Recording)
assistant engineer:
Jay Gordon (producer, engineer and lead singer of Orgy), Rudy Haeusermann and Nick Marshall
producer:
Mervyn Warren
mixer:
David Reitzas
accordion:
Suzie Katayuama
bassoon:
Charlie Cooker (Session Musician / Bassoon)
cello:
Larry Corbett, Dance Little, Suzie Katayama, Armen Ksajikian, David Low, Robert Adcock, David Shamban and Nancy Stein-Ross
clarinet:
Emily Bernstein (Clarinetist)
cor anglais [English horn]:
Jon Clarke
double bass [string bass]:
Nico Abondolo, Arni Egilsson and Ian Walker (US double bassist)
double bass [upright acoustic bass]:
Reggie Hamilton
drums (drum set) [drums]:
Will Kennedy (drummer)
flute:
Louise DiTullio
harp:
Gayle Levant-Richards (American studio musician, harpist)
oboe:
Tom Boyd (oboist)
percussion:
Joe Porcaro
piano:
Mervyn Warren
viola:
Robert Becker (strings), Denyse Buffum, Carrie Holzman‐Little, Roland Kato, Janet Lakatos, Dan Neufeld, James Ross (viola) and Harry Shirinian
violin:
Richard Altenbach, Darius Campo, Lily Ho Chen, Ron Clark (violinist), Joel Derouin, Yvette Devereaux, Charles Everett, Armen Garabedian, Berj Garabedian, Alan Grunfeld, Patricia Johnson (violinist), Peter Kent (violinist), Natalie Leggett, Horia Moroaica, Robin Olson, Sid Page, Barbra Porter (violinist, photographer), Gil Romero, Kwihee Shamban, Sheldon Sanov (violinist) and Mari Tsumura (aka Mari Tsumura‐Botnick)
violin [1st violin]:
Bruce Dukov
arranger:
Mervyn Warren
concertmaster:
Bruce Dukov
recorded at:
Music Grinder in Hollywood, Los Angeles, California, United States and O'Henry in Burbank, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
cover recording of:
Lush Life
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
Queen Latifah4:27
2Give Me Something Real
recording engineer:
Jess Sutcliffe
assistant engineer:
Stephanie Glyden, Rudy Haeusermann and Nick Marshall
producer:
Mervyn Warren
mixer:
David Reitzas
double bass [upright acoustic bass]:
Reggie Hamilton
drums (drum set) [drums]:
John Robinson (session drummer)
guitar:
Paul Jackson Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Peter Michael Escovedo III
piano:
Mervyn Warren
arranger:
Mervyn Warren
recorded at:
Music Grinder in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
Clark Anderson44:27
3Out of My Head
recording engineer:
Jess Sutcliffe
assistant engineer:
Stephanie Glyden, Rudy Haeusermann and Nick Marshall
producer:
Mervyn Warren
mixer:
David Reitzas
double bass [upright acoustic bass]:
Reggie Hamilton
drums (drum set) [drums]:
John Robinson (session drummer)
guitar:
Paul Jackson Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and Michael Thompson (session guitarist)
percussion:
Peter Michael Escovedo III
piano:
Mervyn Warren
arranger:
Mervyn Warren
recorded at:
Music Grinder in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
cover recording of:
Goin’ Out of My Head
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
Queen Latifah3:23
4At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.52:55
5If You Love Me
sound engineer:
Rob Paustian (other instruments [tracking])
audio engineer:
Brownstone (US female R&B group) (other vocals [vocal production]), Gordon Chambers (American singer-songwriter, and producer) (other vocals [vocal production]) and Dave Hall (producer a.k.a. Jam) (other vocals [vocal production])
executive producer:
Jerry Greenberg (producer, engineer) and Michael Jackson (“King of Pop”)
producer and mixer:
Dave "Jam" Hall (producer a.k.a. Jam)
vocals arranger:
Brownstone (US female R&B group) and Gordon Chambers (American singer-songwriter, and producer)
mixed for and produced for:
Untouchables Entertainment
recorded at:
The Hit Factory Studios, NY (The Hit Factory) in Manhattan, New York, New York, United States
mixed at:
The Hit Factory, NY (The Hit Factory) in Manhattan, New York, New York, United States
music videos:
If You Love Me by Brownstone (US female R&B group)
recording of:
If You Love Me
lyricist:
Gordon Chambers (American singer-songwriter, and producer) and Nichole Gilbert
composer:
Dave "Jam" Hall (producer a.k.a. Jam)
publisher:
Brown Girl Music, Orisha Music, Paisley Park, Stone Jam Publishing Inc., The Night Rainbow Music (publisher) and WC Music Corp.
Brownstone4.55:05
6Be Anything (But Be Mine)
recording engineer:
Jess Sutcliffe and Frank Wolf (engineer at Skyline Recording)
assistant engineer:
Jay Gordon (producer, engineer and lead singer of Orgy), Rudy Haeusermann and Nick Marshall
producer:
Mervyn Warren
mixer:
David Reitzas
alto saxophone [alto sax]:
Gerald Albright and Eric Marienthal
baritone saxophone [baritone sax]:
Plas Johnson
double bass [upright acoustic bass]:
Reggie Hamilton
drums (drum set) [drums]:
Will Kennedy (drummer)
piano:
Mervyn Warren
tenor saxophone [tenor sax]:
Justo Almario and Brandon Fields
arranger:
Mervyn Warren
recorded at:
Music Grinder in Hollywood, Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
cover recording of:
Be Anything (But Be Mine)
writer:
Irving Gordon (US songwriter)
Queen Latifah4:44
7They Can't Take That Away From Me
recording engineer:
Jess Sutcliffe
assistant engineer:
Rudy Haeusermann, John Hendrickson (Music engineer, mixer), Nick Marshall, Carl Nappa and Tony Gonzales (engineer)
producer:
Mervyn Warren
mixer:
David Reitzas
double bass [upright acoustic bass]:
Reggie Hamilton
drums (drum set) [drums]:
Will Kennedy (drummer)
guitar:
John Chiodini
piano:
Mervyn Warren
trumpet:
Jerry Hey
performer:
Danny DeVito
arranger:
Mervyn Warren
recorded at:
Music Grinder in Hollywood, Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Danny DeVito2:42
8Born to Be Blue
recording of:
Born to Be Blue
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Mel Tormé2:54
9You're Nobody 'til Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:16
10Low Key Lightly
producer:
George Fenton (English score composer)
performer:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
cover recording of:
Low Key Lightly
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
George Fenton5:53
11Hot Fun in the Summertime
bass guitar:
Larry Graham (US bassist & singer) (in 1969)
drums (drum set):
Greg Errico (in 1969)
guitar:
Freddie Stone (in 1969)
piano:
Sly Stone (in 1969)
saxophone:
Jerry Martini (in 1969)
trumpet:
Cynthia Robinson (in 1969)
vocals:
Larry Graham (US bassist & singer) (in 1969), Freddie Stone (in 1969), Rose Stone (in 1969) and Sly Stone (in 1969)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 247)
recording of:
Hot Fun in the Summertime (in 1969)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone3.652:39
12She's 34
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Geoff Young (engineer)
miscellaneous support:
Simon Chamberlain (pianist) (task: music associate) and David Lawson (production music) (task: music associate)
orchestrator:
Simon Chamberlain (pianist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
George Fenton2:55
13I'm the Gutter Type
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Geoff Young (engineer)
miscellaneous support:
Simon Chamberlain (pianist) (task: music associate) and David Lawson (production music) (task: music associate)
orchestrator:
Simon Chamberlain (pianist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
George Fenton6:36
14Ecstasy
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Geoff Young (engineer)
miscellaneous support:
Simon Chamberlain (pianist) (task: music associate) and David Lawson (production music) (task: music associate)
orchestrator:
Simon Chamberlain (pianist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
George Fenton43:37
15Okay to You Paying My Debts
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Geoff Young (engineer)
miscellaneous support:
Simon Chamberlain (pianist) (task: music associate) and David Lawson (production music) (task: music associate)
orchestrator:
Simon Chamberlain (pianist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
George Fenton1:31

Credits

Release

art direction:Janene Higgins
photography:M. Morton
liner notes:Richard LaGravenese
miscellaneous support:Anita Camarata (task: music supervisor)
Kaylin Frank (task: associate music supervisor)
executive producer:Anita Camarata (task: soundtrack)
Richard LaGravenese (task: soundtrack)
mastering:Stephen Marcussen (mastering engineer)
mastered at:Precision Mastering (formerly Precision Lacquer) in Los Angeles, California, United States