| # | Title | Artist | Rating | Length |
|---|
| 1 | À fleur de toi | Vitaa | 3 | 4:23 |
| 2 | The Sweet Escape | Gwen Stefani | 3.25 | 4:09 |
| 3 | All Good Things (Come to an End) | Nelly Furtado | | 4:26 |
| 4 | Rehab- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor / orchestra)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop and Ian Hendrickson-Smith
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- electric piano, handclaps and piano and piano:
- Victor Axelrod
- guitar:
- Thomas Brenneck and Binky Griptite
- handclaps:
- Vaughan Merrick and Mark Ronson
- harp:
- Helen Tunstall
- percussion:
- Frank Ricotti
- tenor saxophone:
- Mike Smith , Neal Sugarman and Jamie Talbot
- trombone:
- Richard Edwards
- trumpet:
- Dave Guy and Steve Sidwell
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- wind instruments arranger:
- Gabriel Roth and Mark Ronson
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- part of:
- Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
- recording of:
- Rehab
- lyricist and composer:
- Amy Winehouse
- publisher:
- EMI Music Publishing
| Amy Winehouse | 4.15 | 3:35 |
| 5 | Des rails | Zazie | 3 | 3:06 |
| 6 | Rien n’est comme avant | Hélène Ségara | 3 | 3:55 |
| 7 | Le Miroir | Chimène Badi | | 3:33 |
| 8 | La Femme chocolat | Olivia Ruiz | | 2:53 |
| 9 | Butterfly | Superbus | | 3:55 |
| 10 | Down On My knees- phonographic copyright (℗) by:
- Polydor (in 2006)
| Ayọ | | 4:02 |
| 11 | I Don’t Need A Man | The Pussycat Dolls | 2.75 | 3:41 |
| 12 | Fergalicious | Fergie | 4 | 4:55 |
| 13 | Unfaithful- recording engineer:
- Al Hemberger, Mikkel Eriksen, Malcolm Pollack and Tiger Stylz
- assistant producer:
- Debbie Mounsey
- producer:
- Makeba Riddick (lead vocals) and StarGate
- mixer:
- Phil Tan
- bass:
- John Beal and Judy Sugarman
- cello [cellos]:
- Eugene Briskin, Gene Moy and Richard Locker
- viola [violas]:
- Crystal Garner, Mary Hammann, Jill Jaffe and Sue Pray
- violin [violins]:
- Abe Appleman, Cenovia Cummins, Yana Goichman, Jean Ingraham , Katherine Livolsi-Stern, Ann Leathers , Maura Gianni, Jan Mullen, Richard Sortomme , Marti Sweet and Uri Vodovoz
- conductor:
- Rob Mounsey
- strings arranger:
- Rob Mounsey
- concertmaster:
- Ann Leathers
- mixed for:
- RiotpProof Productions, Inc.
- produced for:
- Delirious Blacksmith Management, Ltd.
- recorded at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States, Battery Studios in New York, New York, United States, Digital Insight Recording in Las Vegas, Nevada, United States and The Loft Recording Studios in Bronxville, New York, United States
- mixed at:
- Silent Sound Studios in Atlanta, Georgia, United States
- recording of:
- Unfaithful
- writer:
- Mikkel Storleer Eriksen, Tor Erik Hermansen and Shaffer Chimere Smith
| Rihanna | 2.95 | 3:49 |
| 14 | J’aimais tant l’aimer | Nolwenn Leroy | | 4:01 |
| 15 | Joker | Clarika | | 3:25 |
| 16 | La Ceinture | Élodie Frégé | | 3:32 |
| 17 | 9 Mois | Elisa Tovati | | 3:46 |
| 18 | She’s Like The Wind | Lumidee | | 3:45 |
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