Ariadne auf Naxos

~ Release by Richard Strauss; Rysanek, Jurinac, Peters, Peerce, Berry, Wiener Philharmoniker, Erich Leinsdorf (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Vorspiel. "Mein Herr Haushofmeister!"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Ein Musiklehrer]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Ein Lakai]:
Ljubomir Pantscheff (operatic bass) (in 1958-06)
spoken vocals [Der Haushofmeister]:
Kurt Preger (baritone) (in 1958-06)
tenor vocals [Ein Offizier]:
Kurt Equiluz (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [1] Orchestereinleitung (Orchestral Introduction) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [2] “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister, Lakai, Offizier) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss5:27
2Ariadne auf Naxos: Vorspiel. "Hier finden Euer Gnaden die Mamsell Zerbinetta"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
bass vocals [Ein Lakai]:
Ljubomir Pantscheff (operatic bass) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
partial recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [3] „Lieber Freund! Verschaffen Sie mir die Geigen” … „Hier finden Euer Gnaden die Mamsell Zerbinetta” (Komponist, Lakai) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss2:01
3Ariadne auf Naxos: Vorspiel. "Eselsgesicht! Sehr unverschämter frecher Esel!"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Ein Musiklehrer]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Ein Lakai]:
Ljubomir Pantscheff (operatic bass) (in 1958-06)
bass-baritone vocals [Ein Perückenmacher]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
spoken vocals [Der Haushofmeister]:
Kurt Preger (baritone) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
tenor vocals [Ein Tanzmeister]:
Murray Dickie (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
partial recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [4] „O, ich möcht' vieles ändern noch in zwölfter Stund'” … „Eselsgesicht…” … „Du allmächtiger Gott! O du mein zitterndes Herz!” (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [5] „Das! Für einen Bacchus!” (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai, Haushofmeister) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [6] „Erst nach der Oper kommen wir daran” (Zerbinetta, Primadonna, Musiklehrer, Komponist, Tanzmeister) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [7] „Nach meiner Oper?” (Komponist, Musiklehrer) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss6:48
4Ariadne auf Naxos: Vorspiel. "Hast ein Stückerl Notenpapier?"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Ein Musiklehrer]:
Walter Berry (bass-baritone) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
tenor vocals [Ein Tanzmeister]:
Murray Dickie (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:34
5Ariadne auf Naxos: Vorspiel. "Ihnen allen habe ich eine plötzliche Anordnung"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Ein Musiklehrer]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Ein Lakai]:
Ljubomir Pantscheff (operatic bass) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
spoken vocals [Der Haushofmeister]:
Kurt Preger (baritone) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
tenor vocals [Ein Tanzmeister]:
Murray Dickie (tenor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [9] „Die Herrschaften stehen von Tisch auf!” – „Meine Damen und Herren, an Ihre Plätze” … „Ist schon geschehen. Wir sind bereit” (Lakai, Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss4:47
6Ariadne auf Naxos: Vorspiel. "Ich weiß nicht, wo mir der Kopf steht"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Ein Musiklehrer]:
Walter Berry (bass-baritone) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
spoken vocals [Der Haushofmeister]:
Kurt Preger (baritone) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
tenor vocals [Ein Tanzmeister]:
Murray Dickie (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [10] „Ariadne auf Naxos, Herr” … „Ich weiss nicht, wo mir der Kopf steht” (Komponist, Tanzmeister, Haushofmeister, Musiklehrer, Tenor, Primadonna, Zerbinetta) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [11] „Nein, Herr, so kommt es nicht! (Komponist, Zerbinetta, Musiklehrer) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss8:52
7Ariadne auf Naxos: Vorspiel. "Ein Augenblick ist wenig"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [12] „Kindskopf! Merkt auf: wir spielen mit in dem Stück 'Ariadne auf Naxos'” … „Ein Augenblick ist wenig - ein Blick ist viel” (Zerbinetta, Komponist) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss4:03
8Ariadne auf Naxos: Vorspiel. "Auf Ihre Plätze, meine Damen und Herren!"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Ein Musiklehrer]:
Walter Berry (bass-baritone) (in 1958-06)
soprano vocals [Der Komponist]:
Sena Jurinac (soprano) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [13] „An Ihre Plätze, meine Damen und Herrn!” (Musiklehrer, Primadonna, Komponist) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [14] „Seien wir wieder gut” (Musiklehrer, Komponist) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss4:33
9Ariadne auf Naxos: Oper. Ouvertüre
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Erich Leinsdorf (conductor)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. Ouvertüre
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:44
10Ariadne auf Naxos: Oper. "Schläft sie?"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
alto vocals [Dryade]:
Hilde Rössel-Majdan (Austrian contralto) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Najade]:
Mimi Coertse (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [1] „Schläft sie?” (Najade, Dryade, Echo) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:59
11Ariadne auf Naxos: Oper. "Ach! Wo war ich? Tot?"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Harlekin]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Truffaldin]:
Gunter Adam (operatic bass) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [2] ”Ach! Wo war ich?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss2:51
12Ariadne auf Naxos: Oper. "Ein Schönes war: hieß Theseus–Ariadne"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
alto vocals [Dryade]:
Hilde Rössel-Majdan (Austrian contralto) (in 1958-06)
baritone vocals [Harlekin]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Truffaldin]:
Gunter Adam (operatic bass) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Najade]:
Mimi Coertse (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
tenor vocals [Scaramuccio]:
Kurt Equiluz (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [3] „Ein Schönes war: hieß Theseus–Ariadne” (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
recording of:
Ariadne auf Naxos, op. 60: Oper. [4] „Ach, so versuchet doch ein kleines Lied!” … „Lieben, Hassen, Hoffen, Zagen” (Zerbinetta, Harlekin) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:43
2CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Oper. "Es ist alles vergebens … Es gibt ein Reich"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:04
2Ariadne auf Naxos: Oper. "Die Dame gibt mit trübem Sinn"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Harlekin]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Truffaldin]:
Gunter Adam (operatic bass) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
tenor vocals [Brighella]:
Murray Dickie (tenor) (in 1958-06)
tenor vocals [Scaramuccio]:
Kurt Equiluz (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss4:29
3Ariadne auf Naxos: Oper. "Großmächtige Prinzessin, wer verstünde nicht"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
partial recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:30
4Ariadne auf Naxos: Oper. "Noch glaub ich dem einen ganz mich gehörend"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
partial recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:02
5Ariadne auf Naxos: Oper. "Hübsch gepredigt! Aber tauben Ohren!"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
baritone vocals [Harlekin]:
Walter Berry (bass-baritone) (in 1958-06)
bass vocals [Truffaldin]:
Gunter Adam (operatic bass) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
tenor vocals [Brighella]:
Murray Dickie (tenor) (in 1958-06)
tenor vocals [Scaramuccio]:
Kurt Equiluz (tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:29
6Ariadne auf Naxos: Oper. "Ein schönes Wunder!"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
alto vocals [Dryade]:
Hilde Rössel-Majdan (Austrian contralto) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Najade]:
Mimi Coertse (soprano) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss4:29
7Ariadne auf Naxos: Oper. "Circe, kannst du mich hören?"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
alto vocals [Dryade]:
Hilde Rössel-Majdan (Austrian contralto) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Najade]:
Mimi Coertse (soprano) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
partial recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss4:29
8Ariadne auf Naxos: Oper. "Circe, ich konnte fliehen!"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
alto vocals [Dryade]:
Hilde Rössel-Majdan (Austrian contralto) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Najade]:
Mimi Coertse (soprano) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
partial recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:15
9Ariadne auf Naxos: Oper. "Wie? Kennst du mich denn?"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne) (in 1958-06)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:33
10Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?"
engineer:
James Brown (Decca engineer, 1960s) (in 1958-06) and Gordon Parry (engineer) (in 1958-06)
producer:
John Culshaw (in 1958-06), Ray Minshull (record producer) (in 1958-06) and Christopher Raeburn (producer) (in 1958-06)
alto vocals [Dryade]:
Hilde Rössel-Majdan (Austrian contralto) (in 1958-06)
soprano vocals [Die Primadonna - Ariadne]:
Leonie Rysanek (soprano) (in 1958-06)
soprano vocals [Echo]:
Liselotte Maikl (soprano) (in 1958-06)
soprano vocals [Najade]:
Mimi Coertse (soprano) (in 1958-06)
soprano vocals [Zerbinetta]:
Roberta Peters (soprano) (in 1958-06)
tenor vocals [Der Tenor - Bacchus]:
Jan Peerce (operatic tenor) (in 1958-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1958-06)
conductor:
Erich Leinsdorf (conductor) (in 1958-06)
engineered at:
Sofiensaal, Vienna in Landstraße, Wien (Vienna), Austria (in 1958-06)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) (in 1958-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:16