Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide"

~ Recording by Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.4Messiah, Part 1: 5-6. Recitative & Air "Thus saith the Lord... But who may abide"4:29George Frideric HandelMessiahHandel; Ameling, Reynolds, Langridge, Howell, Neville MarrinerAlbum
Decca Records421 234-2
1.4Messiah: Part 1: Nos. 5/6. Recitative & Air Bass: “Thus saith the Lord… But who may abide”4:29George Frideric HandelMessiahHandel; Ameling, Reynolds, Langridge, Howell, Academy & Chorus of St Martin-in-the-Fields, Neville MarrinerAlbum
  • XE1995-08-07
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)444 824-2
1.4Messiah: Part I, no. 5. Recitative “Thus saith the Lord” / no. 6. Air “But who may abide” (Bass)4:29George Frideric HandelEl Mesías (Messiah) (1)Handel; Academy & Chorus of St. Martin in the Fields, Neville MarrinerAlbum
Altaya455445-2
12.4Messiah: Part I: Thus saith the Lord ... But who may abide4:29George Frideric HandelThe MasterworksHandelAlbum + Compilation
  • XW2009-03-02
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)478 1190
19.4Messiah: Part 1. Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide"4:29George Frideric HandelThe Argo YearsNeville Marriner, Academy of St Martin in the FieldsAlbum + Compilation
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)
1.4Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)4:29George Frideric HandelMessiahGeorge Frideric Handel; Sir Neville Marriner, Academy of St. Martin in the FieldsAlbum
  • AU2024-03-22
Decca Records, Universal Music Australia (see annotation before using)

Relationships

producer:Chris Hazell
bass vocals:Gwynne Howell (operatic bass) (in 1976-07)
orchestra:Academy of St Martin in the Fields (in 1976-07)
conductor:Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:Simon Eadon (classical music engineer) (in 1976-07)
recorded at:St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1976-07)
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1976-07)

Related works

Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)

composer:George Frideric Handel (German‐British baroque composer) (in 1741)
later versions:Der Messias, K. 572: Teil I, Nr. 4a. Recitativo strumentato: “So spricht der Herrn” (bass)
part of:Messiah, HWV 56: Part I (order: 5)
arrangements:Messiah, HWV 56: Part I, no. 5. Thus saith the Lord (Goossens-Beecham Edition)
Messiah, HWV 56: Part I. Recitative “Thus saith the Lord” (Bass) (Wilberg Edition)

Messiah, HWV 56: Part I, no. 6. Air “But who may abide”

composer:George Frideric Handel (German‐British baroque composer)
later versions:Der Messias, K. 572: Teil I, Nr. 4b. Aria: “Doch wer mag ertragen den Tag seiner Ankunft” (bass)
version of:Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:Messiah, HWV 56: Part I (order: 6)
arrangements:Messiah, HWV 56: Part I, no. 6. But who may abide the day of his coming? (Goossens-Beecham Edition)
Messiah, HWV 56: Part I. Aria: But Who May Abide the Day of His Coming (mezzo-soprano) (Wilberg Edition)