Last Night! / Do the Pop-Eye

~ Release by The Mar‐Keys (see all versions of this release, 1 available)

Annotation

Recorded in 1961 and 1962

Remastering, 2002 - Kirk Felton (Fantasy Studios, Berkeley)

#1-12 originally released as Last Night! (Atlantic 8055)
#13-24 as Do The Pop-Eye With The Mar-Keys (Atlantic 8062)

Annotation last modified on 2018-06-06 06:37 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Morning After
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Morning After (in 1961-09)
32:14
2Diana
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Diana (in 1961-09)
1:59
3Alright, Okay, You Win
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Alright, Okay, You Win (in 1961-09)
2:27
4Sticks and Stones
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Sticks and Stones (in 1961-09)
2:00
5Misty
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Misty (in 1961-09)
2:34
6Night Before
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Night Before (in 1961-09)
2:14
7About Noon
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
About Noon (in 1961-09)
2:33
8One Degree North
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
One Degree North (in 1961-09)
2:16
9Sack O' Woe
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Sack-O-Woe (in 1961-09)
2:32
10Hold It!
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Hold It! (in 1961-09)
composer:
Billy Butler (jazz guitarist) and Clifford Scott
2:08
11Ebb Tide
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Ebb Tide (in 1961-09)
3:43
12Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
42:39
13Pop-Eye Stroll
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Pop-Eye Stroll (in 1962)
2:46
14Wimp-Burger
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Wimp-Burger (in 1962)
2:36
15Straight From the Can
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Straight From the Can (in 1962)
2:06
16'Cause I Love You
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Cause I Love You (in 1962)
2:41
17Squint-Eye
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Squint Eye (in 1962)
2:04
18Pop-Eye Rider
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Pop-Eye Rider (in 1962)
2:28
19It's Gonna Work Out Fine
recording of:
It's Gonna Work Out Fine
2:38
20Sit Still
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Sit Still (in 1962)
2:13
21Too Pooped to Pop-Eye
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Too Pooped to Pop-Eye (in 1962)
2:35
22Sweet-P Crawl
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Sweet-P Crawl (in 1962)
2:07
23Muscles A-Comin' Home
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Muscles A-Comin' Home (in 1962)
2:24
24Sailor Man Waltz
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Sailor Man Waltz (in 1962)
2:43