Messe in h‐moll

~ Release by Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 5 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleArtistRatingLength
C1Messe in h‐Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) “Domine Deus”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
soprano vocals:
Maria Stader (soprano) (in 1961-02, in 1961-04)
tenor vocals:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
C2Messe in h‐Moll, BWV 232: IIf. Coro “Qui tollis peccata mundi”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
C3Messe in h‐Moll, BWV 232: IIg. Aria (Alto) “Qui sedes ad dexteram Patris”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:29
C4Messe in h‐Moll, BWV 232: IIh. Aria (Basso) “Quoniam tu solus Sanctus”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
bass vocals:
Kieth Engen (operatic bass) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:52
C5Messe in h‐Moll, BWV 232: IIi. Coro “Cum Sancto Spiritu”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:12
D1Hohe Messe in h‐Moll, BWV 232: IIIa. Coro “Credo in unum Deum”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
D2Hohe Messe in h‐Moll, BWV 232: IIIb. Coro “Patrem omnipotentem”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
D3Hohe Messe in h‐Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) “Et in unum Dominum”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
soprano vocals:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
performer:
Maria Stader (soprano) (in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
D4Hohe Messe in h‐Moll, BWV 232: IIId. Coro “Et incarnatus est”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:41
D5Hohe Messe in h‐Moll, BWV 232: IIIe. Coro “Crucifixus”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
D6Hohe Messe in h‐Moll, BWV 232: IIIf. Coro “Et resurrexit”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
3▶12" Vinyl

Credits

Release group

included in:111 Years of Deutsche Grammophon: The Collectors’ Edition by Various Artists (add compilations to this artist)