Tracklist

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1Fidelio, Act I, No. 10: Finale. "O welche Lust!"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass vocals [Second Prisoner]:
Raymond Wolansky (American operatic baritone) (from 1962-02 until 1962-03)
solo tenor vocals [First Prisoner]:
Kurt Wehofschitz (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:22
2Fidelio, Act I, No. 10: "Nun sprecht, wie ging's"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:33
3Fidelio, Act I, No. 10: "Ach! Vater, eilt!"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass-baritone) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:04
4Fidelio, Act II, No. 11: Introduktion und Arie. "Gott! Welch' Dunkel hier!"
producer:
Walter Legge (British classical producer)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven10:55
5Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:48
6Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:06
7Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:38
8Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:47
9Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass-baritone) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:48
10Fidelio, Act II, No. 14: Quartett. "Er sterbe!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass-baritone) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:50
11Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:21
12Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass-baritone) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:28
13Fidelio, Act II, No. 15: Duett. "O namenlose Freude!"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:13
14Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Don Fernando]:
Franz Crass (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass-baritone) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven6:32
15Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Don Fernando]:
Franz Crass (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven8:06