Tracklist

1Digital Media: Sibelius: Symphony no. 5 / Valse triste / Finlandia / Tapiola
2Digital Media: Ives: “Concord” Sonata / Central Park in the Dark / Three Places in New England / Barber: Adagio for Strings
3Digital Media: Janáček: Taras Bulba / Concertino / Sinfonietta
4Digital Media: Ravel: Boléro / Piano Concerto / Pavane / Ma mère l’oye
5Digital Media: Schönberg: Transfigured Night / Pierrot lunaire / Webern: 6 Pieces for Orchestra / Symphony, op. 21
#TitleArtistRatingLength
1Verklärte Nacht, op. 4: I. Sehr langsam (bar 1)
engineer:
Wolfgang Mitlehner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
cello:
Lee Fiser (in 1982-11) and Jonathan Pegis (cellist) (in 1982-11)
string quartet:
LaSalle Quartet (in 1982-11)
viola:
Peter Kamnitzer (violist) (in 1982-11) and Donald McInnes (viola player) (in 1982-11)
violin:
Walter Levin (violinist) (in 1982-11) and Henry Meyer (violinist) (in 1982-11)
recording of:
Verklärte Nacht, op. 4: I. Sehr langsam (in 1982-11)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
part of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg6:23
2Verklärte Nacht, op. 4: II. Breiter (bar 200)
engineer:
Wolfgang Mitlehner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
cello:
Lee Fiser (in 1982-11) and Jonathan Pegis (cellist) (in 1982-11)
string quartet:
LaSalle Quartet (in 1982-11)
viola:
Peter Kamnitzer (violist) (in 1982-11) and Donald McInnes (viola player) (in 1982-11)
violin:
Walter Levin (violinist) (in 1982-11) and Henry Meyer (violinist) (in 1982-11)
recording of:
Verklärte Nacht, op. 4: II. Etwas bewegter (in 1982-11)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
part of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg5:27
3Verklärte Nacht, op. 4: III. Schwer betont (bar 201)
engineer:
Wolfgang Mitlehner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
cello:
Lee Fiser (in 1982-11) and Jonathan Pegis (cellist) (in 1982-11)
string quartet:
LaSalle Quartet (in 1982-11)
viola:
Peter Kamnitzer (violist) (in 1982-11) and Donald McInnes (viola player) (in 1982-11)
violin:
Walter Levin (violinist) (in 1982-11) and Henry Meyer (violinist) (in 1982-11)
recording of:
Verklärte Nacht, op. 4: III. Schwer betont (in 1982-11)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
part of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg2:09
4Verklärte Nacht, op. 4: IV. Sehr breit und langsam (bar 229)
engineer:
Wolfgang Mitlehner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
cello:
Lee Fiser (in 1982-11) and Jonathan Pegis (cellist) (in 1982-11)
string quartet:
LaSalle Quartet (in 1982-11)
viola:
Peter Kamnitzer (violist) (in 1982-11) and Donald McInnes (viola player) (in 1982-11)
violin:
Walter Levin (violinist) (in 1982-11) and Henry Meyer (violinist) (in 1982-11)
recording of:
Verklärte Nacht, op. 4: IV. Sehr breit und langsam (in 1982-11)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
part of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg9:47
5Verklärte Nacht, op. 4: V. Sehr ruhig (bar 370)
engineer:
Wolfgang Mitlehner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
cello:
Lee Fiser (in 1982-11) and Jonathan Pegis (cellist) (in 1982-11)
string quartet:
LaSalle Quartet (in 1982-11)
viola:
Peter Kamnitzer (violist) (in 1982-11) and Donald McInnes (viola player) (in 1982-11)
violin:
Walter Levin (violinist) (in 1982-11) and Henry Meyer (violinist) (in 1982-11)
recording of:
Verklärte Nacht, op. 4: V. Sehr ruhig (in 1982-11)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
part of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg3:51
6Pierrot lunaire, op. 21: Part I: I. Mondestrunken
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 1. „Mondestrunken“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:35
7Pierrot lunaire, op. 21: Part I: II. Colombine
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 2. „Colombine“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:38
8Pierrot lunaire, op. 21: Part I: III. Der Dandy
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 3. „Der Dandy“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:11
9Pierrot lunaire, op. 21: Part I: IV. Eine blasse Wäscherin
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 4. „Eine blasse Wäscherin“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:24
10Pierrot lunaire, op. 21: Part I: V. Valse de Chopin
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 5. „Valse de Chopin“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:17
11Pierrot lunaire, op. 21: Part I: VI. Madonna
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 6. „Madonna“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:53
12Pierrot lunaire, op. 21: Part I: VII. Der kranke Mond
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 7. „Der kranke Mond“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg2:12
13Pierrot lunaire, op. 21: Part II: VIII. Die Nacht
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 8. „Nacht (Passacaglia)“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg2:05
14Pierrot lunaire, op. 21: Part II: IX. Gebet an Pierrot
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 9. „Gebet an Pierrot“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg0:51
15Pierrot lunaire, op. 21: Part II: X. Raub
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 10. „Raub“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg1:07
16Pierrot lunaire, op. 21: Part II: XI. Rote Messe
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 11. „Rote Messe“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg1:46
17Pierrot lunaire, op. 21: Part II: XII. Galgenlied
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 12. „Galgenlied“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg0:17
18Pierrot lunaire, op. 21: Part II: XIII. Enthauptung
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 13. „Enthauptung“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg2:09
19Pierrot lunaire, op. 21: Part II: XIV. Die Kreuze
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 14. „Die Kreuze“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil
Arnold Schönberg2:12
20Pierrot lunaire, op. 21: Part III: XV. Heimweh
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 15. „Heimweh“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg2:03
21Pierrot lunaire, op. 21: Part III: XVI. Gemeinheit!
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 16. „Gemeinheit!“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:06
22Pierrot lunaire, op. 21: Part III: XVII. Parodie
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 17. „Parodie“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:20
23Pierrot lunaire, op. 21: Part III: XVIII. Der Monfleck
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg0:54
24Pierrot lunaire, op. 21: Part III: XIX. Serenade
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg2:23
25Pierrot lunaire, op. 21: Part III: XX. Heimfahrt
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 20. „Heimfahrt (Barcarole)“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:40
26Pierrot lunaire, op. 21: Part III: XXI. O alter Duft
instruments:
Ensemble InterContemporain (in 1997-09)
soprano vocals:
Christine Schäfer (soprano) (in 1997-09)
conductor:
Pierre Boulez (composer and conductor) (in 1997-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1997-09)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“ (in 1997-09)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:32
27Six Pieces for Orchestra, op. 6: I. Etwas bewegt
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel (1909 version) (in 1994-09)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern1:05
28Six Pieces for Orchestra, op. 6: II. Bewegt
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Six Pieces for Orchestra, op. 6: II. Bewegt (1909 version) (in 1994-09)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern1:30
28Six Pieces for Orchestra, op. 6: III. Zart bewegt
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Six Pieces for Orchestra, op. 6: III. Zart bewegt (1909 version) (in 1994-09)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern0:50
30Six Pieces for Orchestra, op. 6: IV. Langsam. Marcia funebre
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Six Pieces for Orchestra, op. 6: IV. Langsam (1909 version) (in 1994-09)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern4:20
31Six Pieces for Orchestra, op. 6: V. Sehr langsam
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Six Pieces for Orchestra, op. 6: V. Sehr langsam (1909 version) (in 1994-09)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern2:22
32Six Pieces for Orchestra, op. 6: VI. Zart bewegt
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Six Pieces for Orchestra, op. 6: VI. Zart bewegt (1909 version) (in 1994-09)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern1:38
33Symphony, op. 21: I. Ruhig schreitend
producer:
Christian Gansch (conductor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
balance engineer:
Rainer Maillard (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Symphony, op. 21: I. Ruhig schreitend (in 1994-09)
composer:
Anton Webern (composer) (from 1927 until 1928)
part of:
Symphony, op. 21
Anton Webern6:30
34Symphony, op. 21: II. Variationen
producer:
Christian Gansch (conductor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-09)
conductor:
Pierre Boulez (composer and conductor) (in 1994-09)
balance engineer:
Rainer Maillard (in 1994-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09)
recording of:
Symphony, op. 21: II. Variationen (in 1994-09)
composer:
Anton Webern (composer) (from 1927 until 1928)
part of:
Symphony, op. 21
Anton Webern3:12
6Digital Media: Berg: Violin Concerto / Lyric Suite / 3 Pieces for Orchestra
7Digital Media: Stravinsky: Petrushka / Apollo / Circus Polka
8Digital Media: Stravinsky: The Rite of Spring / Pulcinella
9Digital Media: Prokofiev: Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé
10Digital Media: Bartók: Concerto for Orchestra / Music for Strings, Percussion & Celesta
11Digital Media: Hindemith: Symphony “Mathis der Maler” / Busoni: Doktor Faust / Pfitzner: Palestrina / Weill: Kleine Dreigroschenmusik
12Digital Media: Shostakovich: Symphony no. 5 / Cello Concerto no. 2
13Digital Media: Britten: Serenade for Tenor, Horn & Strings / Delius: 2 Pieces for Orchestra / Vaughan Williams: The Lark Ascending / Fantasia on “Greensleeves”
14Digital Media: Rodrigo: Concierto de Aranjuez / Falla: El amor brujo / Noches en los jardines de España
15Digital Media: Gershwin: Rhapsody in Blue / An American in Paris / Bernstein: “Candide” Overture / Symphonic Dances From “West Side Story”
16Digital Media: Messiaen: Turangalîla‐Symphonie
17Digital Media: Boulez: Le marteau sans maître / Stockhausen: Gruppen
18Digital Media: Lutosławski: Chain 3 / Novelette / Schnittke: Concerto grosso no. 1 / Ligeti: Chamber Concerto
19Digital Media: Górecki: Symphony no. 3
20Digital Media: Reich: Six Pianos / Adams: Shaker Loops / Glass: Violin Concerto

Credits

Release group

includes:Cello Concerto no. 2 / Symphony no. 5 by Shostakovich (Dmitri Shostakovich, composer); Mstislav Rostropovich (cellist/conductor), National Symphony Orchestra (Washington, D.C.), Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
Concord Sonata / Three Places in New England / Central Park in the Dark by Charles Ives (composer); Roberto Szidon, Boston Symphony Orchestra, Michael Tilson Thomas (conductor and pianist), Seiji Ozawa (conductor and composer)
Le Sacre du printemps / Pulcinella by Igor Strawinsky (Igor Stravinsky, Russian composer); Teresa Berganza (mezzo-soprano), Ryland Davies (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
Music for Strings, Percussion and Celesta / Concerto for Orchestra by Bartók (composer); Lorin Maazel (conductor), Seiji Ozawa (conductor and composer)
Music from America by Gershwin (composer), Bernstein (Leonard Bernstein); Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor), San Francisco Symphony, Seiji Ozawa (conductor and composer)
Musik aus England, II by Benjamin Britten (English composer, conductor, and pianist), Frederick Delius (composer), Ralph Vaughan Williams (English composer); Carlo Maria Giulini (conductor), Daniel Barenboim (pianist and conductor)
Musik des 20. Jahrhunderts, I by Hindemith (German composer, 1895–1963), Weill (composer), Pfitzner (composer), Busoni (Ferruccio Busoni, Italian composer, pianist, conductor, editor, writer, and teacher); William Steinberg (conductor), David Atherton (conductor), Ferdinand Leitner (conductor)
Musik des 20. Jahrhunderts, II by Schnittke (Alfred Schnittke, composer and pianist), Lutosławski (composer), Ligeti (contemporary classical composer); Heinrich Schiff (cellist and conductor), Witold Lutosławski (composer), Pierre Boulez (composer and conductor)
Petruschka / Apollon Musagète / Zirkuspolka by Igor Stravinsky (Russian composer); London Symphony Orchestra, Charles Dutoit (conductor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé by Prokofiev (Sergei Prokofiev, Russian composer); Martha Argerich (Argentine pianist), Shlomo Mintz (violinist, violist and conductor), Claudio Abbado (conductor)
Rodrigo: Concierto de Aranjuez / Falla: Night in the Gardens of Spain / El amor brujo by Rodrigo (Joaquín Rodrigo, Spanish composer and virtuoso pianist), Falla (Spanish composer); Narciso Yepes (classical guitarist), Margrit Weber (Swiss pianist), Teresa Berganza (mezzo-soprano)
Sinfonietta / Taras Bulba / Concertino by Janáček (Czech composer); Rudolf Firkušný (pianist), Bavarian Radio Symphony Orchestra, Rafael Kubelík (conductor)
Symphony no. 3 by Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer); Joanna Kozłowska (soprano), Warsaw Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra), Kazimierz Kord (conductor)
Symphony no. 5 / Valse Triste / Finlandia / Tapiola by Jean Sibelius (Finnish composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Turangalîla‐Symphonie by Messiaen (composer and organist); Yvonne Loriod (pianist), Jeanne Loriod, Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Violin Concerto / 3 Pieces for Orchestra, op. 6 / Lyric Suite (excerpts) by Berg (Austrian composer); Henryk Szeryng (violinist), Rafael Kubelík (conductor), Herbert von Karajan (conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 5)