The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 31-40) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▶CD: Fidelio (Berliner Philharmoniker)
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▶CD: Ein deutsches Requiem, Op. 45
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▼CD: Pelléas et Mélisande (Berliner Philharmoniker)
#TitleArtistRatingLength
1Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande)
producer:
Michel Glotz
baritone vocals [Pelléas]:
Richard Stilwell (baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château
Claude Debussy4:01
2Pelléas et Mélisande: Act IV, Scene I. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande)
producer:
Michel Glotz
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy5:15
3Pelléas et Mélisande: Act IV, Scene I. "Pelléas part ce soir" (Golaud, Arkel, Mélisande)
producer:
Michel Glotz
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy0:55
4Pelléas et Mélisande: Act IV, Scene I. "Apporte-la" (Golaud, Arkel, Mélisande)
producer:
Michel Glotz
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Apporte-la" (Golaud, Arkel, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy11:12
5Pelléas et Mélisande: Act IV, Scene II. "Oh! Cette pierre est lourde ..." (Yniold, Le Berger)
producer:
Michel Glotz
baritone vocals [Shepherd]:
Pascal Thomas (in 1978-12)
soprano vocals [Yniold]:
Christine Barbaux (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy4:05
6Pelléas et Mélisande: Act IV, Scene II. "C'est le dernier soir ..." (Pelléas, Mélisande)
producer:
Michel Glotz
baritone vocals [Pelléas]:
Richard Stilwell (baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy6:11
7Pelléas et Mélisande: Act IV, Scene II. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève)
producer:
Michel Glotz
baritone vocals [Pelléas]:
Richard Stilwell (baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy4:10
8Pelléas et Mélisande: Act IV, Scene II. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande)
producer:
Michel Glotz
baritone vocals [Pelléas]:
Richard Stilwell (baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy4:37
9Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud)
producer:
Michel Glotz
baritone vocals [Doctor]:
Pascal Thomas (in 1978-12)
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy3:43
10Pelléas et Mélisande: Act V. "Ouvrez la fenêtre, ouvrez la fenêtre ..." (Mélisande, Arkel, Le médecin)
producer:
Michel Glotz
baritone vocals [Doctor]:
Pascal Thomas (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Ouvrez la fenêtre, ouvrez la fenêtre ..." (Mélisande, Arkel, Le médecin) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy4:08
11Pelléas et Mélisande: Act V. "Mélisande...Mélisande ..." - "Est-ce vous, Golaud?" (Golaud, Mélisande)
producer:
Michel Glotz
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Mélisande...Mélisande ..." - "Est-ce vous, Golaud?" (Golaud, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy4:46
12Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud)
producer:
Michel Glotz
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:19
13Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande)
producer:
Michel Glotz
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
soprano vocals [Mélisande]:
Frederica von Stade (mezzo-soprano) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:48
14Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel)
producer:
Michel Glotz
baritone vocals [Doctor]:
Pascal Thomas (in 1978-12)
baritone vocals [Golaud]:
José van Dam (Belgian operatic bass-baritone) (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:37
15Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin)
producer:
Michel Glotz
baritone vocals [Doctor]:
Pascal Thomas (in 1978-12)
bass vocals [Arkel]:
Ruggero Raimondi (bass-baritone) (in 1978-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-12)
conductor:
Herbert von Karajan (conductor) (in 1978-12)
balance engineer:
Wolfgang Gülich (engineer) (in 1978-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1978-12)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1978-12)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy6:16
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)