100 Hits: Sixties Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1ElenorThe Turtles52:32
2Baby Don’t Go
recording of:
Baby Don’t Go
lyricist and composer:
Sonny Bono
Sonny & Cher3:11
3Cathy’s Clown
bass:
Floyd Chance (on 1960-03-18)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-03-18)
guitar:
Don Everly (on 1960-03-18)
piano:
Floyd Cramer (on 1960-03-18)
performer:
The Everly Brothers (on 1960-03-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 149)
recording of:
Cathy’s Clown (on 1960-03-18)
lyricist and composer:
Don Everly
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.352:25
4Time for Livin’
The Association2:46
5Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
producer:
Leiber and Stoller (songwriting team)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:27
6Spanish Harlem
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
cello:
Charles McCracken (cellist) (on 1960-10-27)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1960-10-27)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1960-10-27)
guitar:
Al Caiola (on 1960-10-27)
percussion:
Phil Kraus (on 1960-10-27)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1960-10-27)
reeds:
Romeo Penque (on 1960-10-27)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem (on 1960-10-27)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King4.42:54
7Do You Know the Way to San Jose?
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:57
8Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:40
9Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:25
10Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:51
11Ob‐La‐Di Ob‐La‐Da
producer:
Tom Dowd
bass:
David Hood (on 1968-12-06)
drums (drum set):
Roger Hawkins (on 1968-12-06)
guitar:
Duane Allman (on 1968-12-06) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-06)
keyboard:
Barry Beckett (on 1968-12-06)
vocals:
Arthur Conley (on 1968-12-06)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-06)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (on 1968-12-06)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Arthur Conley3:00
12Hard to Handle
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
Otis Redding4.22:19
13In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:34
14Born Under a Bad Sign
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
guitar:
Steve Cropper (in 1967) and Albert King (well‐known US blues guitarist & singer) (in 1967)
horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) and Andrew Love (in 1967)
piano:
Isaac Hayes (in 1967) and Booker T. Jones (in 1967)
lead vocals:
Albert King (well‐known US blues guitarist & singer) (in 1967)
performer:
Booker T. & the MG’s (in 1967) and The Memphis Horns (in 1967)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1988)
recording of:
Born Under a Bad Sign (in 1967)
lyricist:
William Bell
composer:
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music, Inc.
Albert King32:47
15La Mer (Beyond the Sea)
Bobby Darin2:55
16If I Had a Hammer
Trini Lopez3:00
17I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:45
18Always See Your Face
Love3:22
19No Mules Fool
Family3:14
20She’s Not There
Vanilla Fudge4:57
4CD
5CD

Credits

Release

ASIN:UK: B0041PCNNC [info]

Release group

part of:100 Hits (UK Demon Music Group) (number: 66) (order: 85)