Coleman Hawkins & Ben Webster

~ Release by Coleman Hawkins & Ben Webster (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Blues for Yolanda
6:48
2It Never Entered My Mind
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
It Never Entered My Mind (on 1957-10-16)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:49
3Don’t Get Around Much Anymore
3:08
4I’ll Never Be the Same
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I’ll Never Be the Same (on 1957-10-16)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
3:30
5Budd Johnson
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Coleman Hawkins (on 1959-04-09), Budd Johnson (on 1959-04-09) and Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
9:04
6La Rosita
5:04
7De‐Dar
double bass [bass]:
Ray Brown (jazz bassist) (on 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-04-09)
guitar:
Les Spann (on 1959-04-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-04-09)
tenor saxophone:
Coleman Hawkins (on 1959-04-09), Budd Johnson (on 1959-04-09) and Ben Webster (on 1959-04-09)
trumpet:
Roy Eldridge (on 1959-04-09)
4:38
8Like Someone in Love
3:56
9That’s All
2:56
10You’d Be So Nice to Come Home To
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-10-16)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:17
11Maria
6:28

Credits