La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13▶CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19▶CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20▶CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38▶CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46▶CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47▶CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48▶CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49▶CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50▶CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54▶CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55▶CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56▶CD: The First Recordings (1949) (Studio, Recorded 1949)
57▶CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58▶CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59▶CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60▶CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61▶CD: Callas at La Scala (Studio, Recorded 1955)
62▶CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63▶CD: Mad Scenes (Studio, Recorded 1958)
64▶CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65▶CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66▶CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67▶CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68▶CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69▶CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72▶CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73▶CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74▶CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75▶CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78▶CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80▶CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81▶CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84▶CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85▶CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86▶CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87▶CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88▶CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89▶CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92▶CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94▶CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95▶CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96▶CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97▶CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101▶CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102▶CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103▶CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104▶CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105▶CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106▶CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112▶CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113▶CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114▶CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115▶CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116▶CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117▶CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118▶CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119▶CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120▶CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121▶CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122▶CD: Live in Paris 1958 (Live, Recorded 1958)
123▶CD: Live in Hamburg 1959 (Live, Recorded 1959)
124▶CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125▶CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126▶CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127▶CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128▶Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129▶Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130▶Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131▼CD: Bonus: Studio alternate takes and working sessions 1960-1964
#TitleArtistRatingLength
1Semirande: “Bel raggio lusinghier”: Takes 3-4
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1960-07-13)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-07-13)
conductor:
Antonio Tonini (conductor) (on 1960-07-13)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1960-07-13)
recording of:
Semiramide: Atto I. Cavatina “Bel raggio lusinghier” (Semiramide) (on 1960-07-13)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
Gioachino Rossini6:18
2Armida: “D'amor al dolce impero”: (Test) Takes 62-63
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1960-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-07-15)
conductor:
Antonio Tonini (conductor) (on 1960-07-15)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1960-07-15)
recording of:
Armida: Atto II. N. 10 Finale secondo “D'amore al dolce impero” (Armida, coro) (on 1960-07-15)
composer:
Gioachino Rossini (composer)
librettist:
Giovanni Schmidt (librettist)
part of:
Armida: Atto II
Gioachino Rossini5:26
3La Cenerentola: “Nacqui all'affanno”: Takes 18-20
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-13)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-13)
conductor:
Antonio Tonini (conductor) (on 1961-11-13)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-13)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (on 1961-11-13)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:46
4Guillaume Tell: “Selva opaca”: Takes 24-25
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-13)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-13)
conductor:
Antonio Tonini (conductor) (on 1961-11-13)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-13)
recording of:
Guglielmo Tell: Atto II, scena 2. “Selva opaca, deserta brughiera” (on 1961-11-13)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini4:22
5Semirande: “Bel raggio lusinghier”: Takes 56-60
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-14)
conductor:
Antonio Tonini (conductor) (on 1961-11-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-14)
recording of:
Semiramide: Atto I. Cavatina “Bel raggio lusinghier” (Semiramide) (on 1961-11-14)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
Gioachino Rossini6:56
6Anna Bolena: “Come innocente giovane”: Rehearsal (Test)
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-15)
conductor:
Antonio Tonini (conductor) (on 1961-11-15)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-15)
recording of:
Anna Bolena: Atto I, Scena 1. “Come, innocente giovane” (Anna, Giovanna) (on 1961-11-15)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti6:23
7Lucrezia Borgia: “Tranquillo ei posa”: Takes 61-62
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-15)
conductor:
Antonio Tonini (conductor) (on 1961-11-15)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-15)
recording of:
Lucrezia Borgia: Prologo. Romanza “Tranquillo ei posa … Com'è bello! … Quale incanto …” (Lucrezia) (on 1961-11-15)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucrezia Borgia: Prologo
Gaetano Donizetti9:30
8Il pirata: “Sorgete, è in me dover quella pietade”: Rehearsal (Test)
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-16)
conductor:
Antonio Tonini (conductor) (on 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (on 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini3:19
9Il pirata: “Sorgete, è in me dover quella pietade”: Take 82
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-16)
conductor:
Antonio Tonini (conductor) (on 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (on 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini4:13
10Il pirata: “Sorgete, è in me dover quella pietade”: Take 85
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-16)
conductor:
Antonio Tonini (conductor) (on 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (on 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini4:00
11Il pirata: “Sorgete, è in me dover quella pietade”: Take 90
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-16)
conductor:
Antonio Tonini (conductor) (on 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (on 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini1:14
12Il pirata: “Sorgete, è in me dover quella pietade”: Take 91
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-11-16)
conductor:
Antonio Tonini (conductor) (on 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (on 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini0:52
13Oberon: “Ocean! thou mighty monster”: (Test) Take 29
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1962-04-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-04-09)
conductor:
Antonio Tonini (conductor) (on 1962-04-09)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-04-09)
recording of:
Oberon: Act 2. “Ocean! Thou mighty monster” (Reiza) (on 1962-04-09)
composer:
Carl Maria von Weber (composer)
part of:
Oberon, J. 306
Carl Maria von Weber10:36
14Manon: “Je ne suis que faiblesse”: Takes 3-5
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1963-05-03)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-05-03)
conductor:
Georges Prêtre (conductor) (on 1963-05-03)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-05-03)
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon) (on 1963-05-03)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon : Acte II
Jules Massenet1:49
15Les Pêcheurs de perles: “Me voilà seule … Comme autrefois”: Take 31
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1963-05-03)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-05-03)
conductor:
Georges Prêtre (conductor) (on 1963-05-03)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-05-03)
recording of:
Les Pêcheurs de perles : Acte II. No. 7 Récit et cavatine « Me voilà seule dans la nuit » (Leïla) (on 1963-05-03)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte II
Georges Bizet4:06
16Les Pêcheurs de perles: “Me voilà seule … Comme autrefois”: Take 35
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1963-05-03)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-05-03)
conductor:
Georges Prêtre (conductor) (on 1963-05-03)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-05-03)
recording of:
Les Pêcheurs de perles : Acte II. No. 7 Récit et cavatine « Me voilà seule dans la nuit » (Leïla) (on 1963-05-03)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte II
Georges Bizet1:02
17La Damnation de Faust: “D'amour l'ardente flamme”: Take 37
producer:
Walter Legge (British classical producer), Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1963-05-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-05-04)
conductor:
Georges Prêtre (conductor) (on 1963-05-04)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-05-04)
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) (on 1963-05-04)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz3:26
18I Lombardi: “Te, Vergin santa”: Take 470
producer:
Michel Glotz, Allan Ramsay (engineer) (task: compilation producer) and Michel Roubinet (translation English-French) (task: compilation producer)
soprano vocals:
Maria Callas (soprano) (on 1964-04-07)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1964-04-07)
conductor:
Nicola Rescigno (conductor) (on 1964-04-07)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1964-04-07)
recording of:
I Lombardi: “Te, Vergin santa” (on 1964-04-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
Giuseppe Verdi2:51
132▶CD: Maria Callas at Julliard: the Master Classes - 1
133▶CD: Maria Callas at Julliard: the Master Classes - 2
134▶CD: Maria Callas at Julliard: the Master Classes - 3
135▶Data DVD-R: Libretti, Texts, Interviews, Recording sheets