The Recitals

~ Release by Evelyn Lear, Thomas Stewart (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
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#TitleArtistRatingLength
1St. John Passion, BWV 245: Pt. 1: XIII. Aria: "Ich folge dir gleichfalls"
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:58
2St. John Passion, BWV 245: Pt. 2: LXIII. Aria: "Zerfliesse, mein Herze"
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
soprano vocals:
Evelyn Lear (soprano) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:22
3Samson HWV 57: Act 3: Air: "How willing my paternal love"
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Detlev Kühl (bassoonist) (from 1968-10 until 1968-11)
cello:
Kenneth Heath (cellist) (from 1968-10 until 1968-11)
double bass:
Herbert Duft (double bass player) (from 1968-10 until 1968-11)
flute:
Wolfgang Haag (flautist) (from 1968-10 until 1968-11) and Herbert Segel (flautist) (from 1968-10 until 1968-11)
harpsichord:
Iwona Fütterer (harpsichordist) (from 1968-10 until 1968-11)
horn:
Hermann Baumann (horn player) (from 1968-10 until 1968-11) and Werner Meyendorf (horn) (from 1968-10 until 1968-11)
oboe:
Manfred Clement (oboist) (from 1968-10 until 1968-11) and Andreas Schwinn (oboist) (from 1968-10 until 1968-11)
organ:
Elmar Schloter (organist) (from 1968-10 until 1968-11)
trombone:
Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (trombonist) (from 1968-10 until 1968-11)
trumpet:
Maurice André (French trumpeter) (from 1968-10 until 1968-11) and Paul Lachenmeier (trumpet) (from 1968-10 until 1968-11)
baritone vocals [Manoa]:
Thomas Stewart (bass-baritone) (from 1968-10 until 1968-11)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1968-10 until 1968-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1968-10 until 1968-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1968-10 until 1968-11)
recording of:
Samson, HWV 57: Act III. Air: How willing my paternal love (Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel3:27
4Te Deum: 1. Te deum laudamus
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 1. Te Deum laudamus
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai4:11
5Te Deum: 2. Tibi omnes angeli
bass vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
tenor vocals:
Heinz Toppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 2. Tibi omnes angeli
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:22
6Te Deum: 3. Sanctus
alto vocals:
Kathleen Basler (soprano) and Raili Kostia (mezzo-soprano)
bass vocals:
Manfred Schenk (operatic bass & baritone) and Thomas Stewart (bass-baritone)
choir vocals:
Sing-Akademie zu Berlin
soprano vocals:
Evelyn Lear (soprano) and Marina Türke (soprano)
tenor vocals:
Heinz Hoppe (tenor) and Martin Vantin (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 3. Sanctus
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai1:44
7Te Deum: 4. Pleni sunt coeli
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 4. Pleni sunt coeli
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:30
8Te Deum: 5. Te gloriosus / Te per orbem terrarum
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 5. Te gloriosus - Te per orbem terrarum
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:46
9Te Deum: 6. Tu rex gloriae Jesu Christe
bass vocals:
Thomas Stewart (bass-baritone)
tenor vocals:
Heinz Hoppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 6. Tu rex gloriae Jesu Christe
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:12
10Te Deum: 7. Tu ad liberandum
alto vocals:
Raili Kostia (mezzo-soprano)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 7. Tu ad liberandum
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai3:36
11Te Deum: 8. Tu devicto mortis / Tu ad dexteram Dei
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 8. Tu devicto mortis - Tu ad dexteram Dei
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai3:07
12Te Deum: 9. Judex / Te ergo quaesumus
alto vocals:
Raili Kostia (mezzo-soprano)
bass vocals:
Manfred Schenk (operatic bass & baritone) and Thomas Stewart (bass-baritone)
choir vocals:
Sing-Akademie zu Berlin
soprano vocals:
Evelyn Lear (soprano) and Marina Türke (soprano)
tenor vocals:
Heinz Hoppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 9. Judex - Te ergo quaesumus
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai5:30
13Te Deum: 10. Aeterna fac
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 10. Aeterna fac
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai1:54
14Te Deum: 11. Salvum fac populum
bass vocals:
Manfred Schenk (operatic bass & baritone)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 11. Salvum fac populum
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai0:50
15Te Deum: 12. Per singulos dies
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 12. Per singulos dies
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:03
16Te Deum: 13. Dignare Domine
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 13. Dignare Domine
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai4:25
17Te Deum: 14. Miserere
alto vocals:
Raili Kostia (mezzo-soprano)
bass vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
tenor vocals:
Heinz Hoppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 14. Miserere
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai4:52
18Te Deum: 15. In te, Domine, speravi
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 15. In te, Domine, speravi
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai5:07
19Die Zauberflöte, K. 620: Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:31
20Nabucco: Akt 4: "Neu will ich bauen"
baritone vocals:
Thomas Stewart (bass-baritone)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
tenor vocals:
Gernot Pietsch (tenor)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Horst Stein (conductor)
recording of:
Nabucco: IV. Teil. Arie „Neu will ich bauen Dir, Jehova, den Altar“ (Nabucco, Abdallo, Chor)
composer:
Giuseppe Verdi (Italian opera composer)
translator:
Leo Schottländer
part of:
Nabucco (german lyrics)
Giuseppe Verdi6:18
21Nabucco: Akt 4: "O Mädchen, deine Leiden" - "Schon geöffnet seh' ich das Himmelszelt"
bass vocals:
Martti Talvela (operatic bass)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Horst Stein (conductor)
recording of:
Nabucco: IV. Teil. „Oh Mädchen, Deine Leiden“ – „Schon geöffnet seh’ ich das Himmelszelt“ (Zacharias, Fenena)
composer:
Giuseppe Verdi (Italian opera composer)
translator:
Leo Schottländer
part of:
Nabucco (german lyrics)
Giuseppe Verdi4:20
5▶Digital Media