| Gel Ey Nesim-i Saba Hatt-ı Yardan Ne Haber | Doğan Dikmen | | | 6:33 | instrument |
| Ghosts | Garth Knox | | | 11:01 | instrument |
| Gloria (Nisi Dominus) (version avec viole de gambe) | Carlos Mena, François Fernandez, Ricercar Consort, Philippe Pierlot | | | 4:58 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 1. Praeludium. Grave - Presto | Musica Antiqua Köln, Reinhard Goebel | | | 2:42 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 2. Allamande | Musica Antiqua Köln, Reinhard Goebel | | | 2:30 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 3. Sarabande | Musica Antiqua Köln, Reinhard Goebel | | | 1:58 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 4. Gigue. Presto | Musica Antiqua Köln, Reinhard Goebel | | | 2:14 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 5. Aria | Musica Antiqua Köln, Reinhard Goebel | | | 2:31 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 6. Trezza | Musica Antiqua Köln, Reinhard Goebel | | | 0:51 | instrument |
| Harmonia artificioso-ariosa, Partia VII in C minor: 7. Arietta variata | Musica Antiqua Köln, Reinhard Goebel | | | 7:03 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: I. Praeludium. Grave - Presto | Tafelmusik | | | 2:40 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: II. Allamande | Tafelmusik | | | 2:07 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: III. Sarabande | Tafelmusik | | | 1:33 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: IV. Gigue. Presto | Tafelmusik | | | 1:56 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: V. Aria | Tafelmusik | | | 1:36 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VI. Trezza | Tafelmusik | | | 0:46 | instrument |
| Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VII. Arietta variata | Tafelmusik | | | 6:05 | instrument |
| Hem Sohbet-i Dildar İle Mesrur İdik Evvel | Doğan Dikmen | | | 4:39 | instrument |
| Historia Baetica | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 1:47 | instrument |
| Hovering Winds | Simin Tander | | | ?:?? | instrument |
| I'll Call You | Ian Carr & The Various Artists | | | 4:35 | instrument |
| Japanese Silhouettes: I | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 3:10 | instrument |
| Japanese Silhouettes: II | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 4:12 | instrument |
| Japanese Silhouettes: III | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 3:22 | instrument |
| Japanese Silhouettes: IV | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 3:46 | instrument |
| Japanese Silhouettes: V | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 5:51 | instrument |
| Japanese Silhouettes: VI | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 4:32 | instrument |
| Japanese Silhouettes: VII | Natalia Biorro, Mela Tenenbaum, New York Philharmonia Virtuosi, Igor Blazhkov | | | 1:48 | instrument |
| Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute) | Ruud van der Meer, Béla Baniak, Philippe Corboz, Marcel Gross, Pablo Loerkens, Matthias Spaeter, Fritz Widmer, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:36 | instrument |
| Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore) | Werner Krenn, Béla Baniak, Philippe Corboz, Marcel Gross, Pablo Loerkens, Fritz Widmer, Orchestre de Chambre de Lausanne, Michel Corboz | | | 8:22 | instrument |
| Johannes-Passion, BWV 245: Zweiter Teil: 19. Arioso (Bass): Betrachte, Mein Seel | Cornelius Hauptmann, Pavlo Beznosiuk, Roy Goodman, Jakob Lindberg, English Baroque Soloists, John Eliot Gardiner | | | 2:20 | instrument |
| Johannes-Passion, BWV 245: Zweiter Teil: 20. Arie (Tenor): Erwäge, Wie Sein Blutgefärbter Rücken | Rufus Müller, Pavlo Beznosiuk, Richard Campbell, Roy Goodman, English Baroque Soloists, John Eliot Gardiner | | | 8:08 | instrument |
| Johannes-Passion: Grablegung = Aria: Zerfließe, mein Herze | Evelyn Lear, Münchener Bach‐Orchester, Karl Richter | | | 6:19 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Grablegung = Arioso: Mein Herz, in dem die ganze Welt | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 0:58 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Grablegung = Chorale: Ach Herr, laß dein lieb Engelein | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 2:47 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Grablegung = Chorale: O hilf, Christe, Gottes Sohn | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:08 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Grablegung = Chorus: Ruht wohl, ihr heiligen Gebeine | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 8:18 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Grablegung = Recitative: Darnach bat Pilatum Joseph von Arimathia | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 2:25 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Grablegung = Recitative: Die Juden aber | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 2:25 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Grablegung = Recitative: Und siehe da, der Vorhang | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 0:35 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Recitative: Und Hannas sandte ign gebunden | Fritz Rothschuh, Kieth Engen, Ernst Haefliger, Münchener Bach‐Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | | | 2:32 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Tod Jesu - Aria: Es ist vollbracht | Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | | | 6:30 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Tod Jesu - Aria: Mein teurer Heiland | Kieth Engen, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 5:03 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Tod Jesu - Chorale: Er nahm alles wohl in acht | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:16 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Tod Jesu - Recitative: Die Kriegsknechte aber | Ernst Haefliger, Münchener Bach‐Chor, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 4:35 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Tod Jesu - Recitative: Und neigte das Haupt | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 0:35 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Tod Jesu - Recitative: Und von Stund an | Ernst Haefliger, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 1:53 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verhör Und Geißelung - Aria: Erwäge, wie sein blugefärbter Rücken | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 7:49 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verhör Und Geißelung - Arioso: Betrachte, mein Seel | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 3:00 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verhör Und Geißelung - Chorale: Ach großer König | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:54 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verhör Und Geißelung - Chorale: Christus, der uns selig macht | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:09 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verhör Und Geißelung - Recitative: Da führeten sie Jesum von Kaiphas | Ernst Haefliger, Münchener Bach‐Chor, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 5:04 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verhör Und Geißelung - Recitative: Da sprach Pilatus zu ihm | Ernst Haefliger, Münchener Bach‐Chor, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 2:37 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verleugnung - Aria: Ach, mein Sinn | Ernst Haefliger, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | | | 3:06 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verleugnung - Aria: Ich folge dir gleichfalls | Evelyn Lear, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | | | 3:51 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verleugnung - Chorale: Petrus, der nicht denkt zurück | Fritz Rothschuh, Münchener Bach‐Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | | | 1:27 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verleugnung - Chorale: Wer hat dich so geschlagen | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 2:05 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verleugnung - Recitative: Derselbige Jünger war dem Hohenpriester bekannt | Kieth Engen, Ernst Haefliger, Evelyn Lear, Hermann Prey, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | | | 4:11 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verleugnung - Recitative: Simon Petrus aber folgete Jesu nach | Ernst Haefliger, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter | | | 0:20 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verrat Und Gefangennahme - Aria: Von den Stricken meiner Sünden | Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | | | 4:56 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verrat Und Gefangennahme - Chorale: Dein Will gescheh | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:04 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verrat Und Gefangennahme - Chorale: O große Lieb | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:18 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verrat Und Gefangennahme - Chorus: Herr, unser Herrscher | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 11:10 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verrat Und Gefangennahme - Recitative: Auf daß das Wort erfüllet würde | Ernst Haefliger, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 1:29 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verrat Und Gefangennahme - Recitative: Die Schar aber | Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter | | | 0:53 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verrat Und Gefangennahme - Recitative: Jesus ging mit seinen Jüngern / Jesus von Nazareth / Jesus spricht Johannes-Passion: zu ihnen / Jesus von Nazareth / Jesus antwortete | Ernst Haefliger, Münchener Bach‐Chor, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 3:26 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verurteilung Und Kreuzigung - Aria: Eilt, ihr angefochtnen Seelen | Kieth Engen, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 4:57 | instrument (as “viola d'amore II”), instrument (as “viola d'amore I”) |
| Johannes-Passion: Verurteilung Und Kreuzigung - Chorale: Durch dein Gefängnis, Gottes Sohn | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 0:58 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verurteilung Und Kreuzigung - Chorale: In meines Herzens Grunde | Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 1:08 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verurteilung Und Kreuzigung - Recitative: Allda kreuzigten sie ihn | Ernst Haefliger, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 2:17 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verurteilung Und Kreuzigung - Recitative: Die Juden aber schrieen | Ernst Haefliger, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | | | 4:40 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Johannes-Passion: Verurteilung Und Kreuzigung - Recitative: Und die Kriegsknechte.... | Ernst Haefliger, Münchener Bach‐Chor, Hermann Prey, Münchener Bach‐Orchester, Karl Richter | | | 6:51 | instrument (as “viola d'amore I”), instrument (as “viola d'amore II”) |
| Just Nu | Ian Carr & The Various Artists | | | 5:02 | instrument |
| Kammermusik no. 6, op. 46 no. 1: I. Massig schnell, majestatisch | Brett Dean, Radio-Sinfonie-Orchester Frankfurt, Werner Andreas Albert | | | 3:41 | instrument |
| Kammermusik no. 6, op. 46 no. 1: II. Langsam | Brett Dean, Radio-Sinfonie-Orchester Frankfurt, Werner Andreas Albert | | | 7:57 | instrument |
| Kammermusik no. 6, op. 46 no. 1: III. Massig schnell, bewegt | Brett Dean, Radio-Sinfonie-Orchester Frankfurt, Werner Andreas Albert | | | 4:36 | instrument |
| Kammermusik no. 6, op. 46 no. 1: IV. Lebhaft, wie fruher | Brett Dean, Radio-Sinfonie-Orchester Frankfurt, Werner Andreas Albert | | | 1:24 | instrument |
| Kammermusik no. 6, op. 46 no. 1: Langsam | Norbert Blume, Koninklijk Concertgebouworkest, Riccardo Chailly | | | 6:46 | instrument |
| Kammermusik No. 6, op. 46 no. 1: Langsam | Concerto Amsterdam, Joke Vermeulen | | | 7:20 | instrument |
| Kammermusik No. 6, op. 46 no. 1: Lebhaft wie früher | Concerto Amsterdam, Joke Vermeulen | | | 1:38 | instrument |
| Kammermusik no. 6, op. 46 no. 1: Lebhaft, wie früher | Norbert Blume, Koninklijk Concertgebouworkest, Riccardo Chailly | | | 1:34 | instrument |
| Kammermusik no. 6, op. 46 no. 1: Mäßig schnell, majestätisch | Norbert Blume, Koninklijk Concertgebouworkest, Riccardo Chailly | | | 3:37 | instrument |
| Kammermusik No. 6, op. 46 no. 1: Mäßig schnell, majestätisch | Concerto Amsterdam, Joke Vermeulen | | | 3:54 | instrument |
| Kammermusik no. 6, op. 46 no. 1: Variationen | Norbert Blume, Koninklijk Concertgebouworkest, Riccardo Chailly | | | 4:18 | instrument |
| Kammermusik No. 6, op. 46 no. 1: Variationen: Mäßig schnell bewegt | Concerto Amsterdam, Joke Vermeulen | | | 4:50 | instrument |
| Kammermusik no. 6, op. 46, no. 1: I. Mässug schnell, majestätisch - Doppel so schnell | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 3:30 | instrument |
| Kammermusik no. 6, op. 46, no. 1: II. Langsam - Sehr zart und ruhig - Im Hauptzeitmass - Sehr langsam | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 6:44 | instrument |
| Kammermusik no. 6, op. 46, no. 1: III. Variationen. Mässig Schnell Bewegt - Gleiches Zeitmass - Ein Wenig Ruhiger - Langsam Bewegt - Sehr Langsam, Frei Im Zeitmass - | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 4:24 | instrument |
| Kammermusik no. 6, op. 46, no. 1: IV. Lebhaft, wie früher | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 1:29 | instrument |
| Kammermusik Nr. 6, op. 46 no. 1: Langsam – | Ziyu Shen, Kronberg Academy Soloists, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | | | 7:31 | instrument |
| Kammermusik Nr. 6, op. 46 no. 1: Mäßig schnell, majestätisch – Doppelt so schnell – | Ziyu Shen, Kronberg Academy Soloists, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | | | 3:55 | instrument |
| Kammermusik Nr. 6, op. 46 no. 1: Variationen – Lebhaft | Ziyu Shen, Kronberg Academy Soloists, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | | | 6:13 | instrument |
| Kammermusik Nr. 6, op. 46 Nr. 1: I. Mäßig schnell, majestätisch - Doppelt so schnell | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 3:28 | instrument |
| Kammermusik Nr. 6, op. 46 Nr. 1: II. Langsam | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 6:43 | instrument |
| Kammermusik Nr. 6, op. 46 Nr. 1: III. Variationen. Mäßig schnell bewegt | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 4:24 | instrument |
| Kammermusik Nr. 6, op. 46 Nr. 1: IV. Lebhaft, wie früher | Wolfram Christ, Berliner Philharmoniker, Claudio Abbado | | | 1:21 | instrument |
| Kleine Sonata, op. 25 no. 2: I. Mäßig schnell. Lustig | Luca Sanzò, Maurizio Paciariello | | | 1:49 | instrument |
| Kleine Sonata, op. 25 no. 2: II. Sehr langsam | Luca Sanzò, Maurizio Paciariello | | | 7:37 | instrument |
| Kleine Sonata, op. 25 no. 2: III. Sehr lebhaft | Luca Sanzò, Maurizio Paciariello | | | 4:27 | instrument |
| Kleine Sonate op. 25,2 for Viola d'amore and Piano (1922): I. Mäßig schnell. Lustig | Ivo Bauer, Kalle Randalu | | | 1:26 | instrument |